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‘always to excel and be superior to others’ 1926 Bertram Hutchings Voyageur sells for $18,205

Valuable past: The 1926 caravan certainly lives up to the company motto: ‘always to excel and be superior to others’ ‘There is a stove and lighting and everything is original and still works. All the wood is oak and everything is of the highest quality. ‘Bertram Hutchings was one of the most respected names in caravanning circles in pre-war days.

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‘They started out in 1912 as a maker of horse-drawn caravans, having been enchanted by a holiday spent in one with his new wife the previous summer.

‘Within a few years he had completed a small fleet of horse-drawn vans for hire, only for the business to be curtailed by the outbreak of war.

‘Fortunately, the military needed caravans and Hutchings managed to survive.

‘With hostilities ended he introduced his first design for the emerging trailer caravan market in 1920: the Winchester.

‘Hutchings continued to build motor caravans and horse-drawn vans alongside the trailer type, and as the latter gained in popularity responded with a new model: the Voyageur.’ Bonhams Oxford Automobilia Sale of March 3
Read more: http://www.dailymail.co.uk/news/article-2122712/A-drawing-room-wheels–The-1920s-caravan-wealthy-used-explore-countryside.html#ixzz1vXhkw9MK

 
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Posted by on May 21, 2012 in Uncategorized

 

Rare 31- star United States USS Constitution, Circa 1851, Sold for $130,000

 
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Posted by on May 18, 2012 in Uncategorized

 

It was Icart who originated the famous saying: “Come up and see my etchings some time”.

More treasures….. my photos and research thus far……….

Louis Justin Laurent Icart
1888-1950


Louis Icart was born in 1888 in Toulouse, France. He began drawing at an early age. His move to Paris is believed to involve his aunt, she owned a fashionable millinery shop called Maison Valmont. While visiting the Icart family saw young Louis’ work, was very impressed, and brought him to the Paris.


Icart started his career in a studio that produced sexy postcards of the type the French were famous. His first job was to make copies of existing images, but he soon began designing original works. He successfully submitted his original works to magazines and was commissioned to design covers for La Critique Théâtrale.


Icart enjoyed rapid acceptance as an illustrator of catalogues for fashion houses, and in 1913 he was invited to exhibit at the Salon des Humoristes.
The tradition of fine art etchings of beautiful women became popular in France with artists like Paul-César Helleu and Manuel Robbe. Icart learned the technique of etching on copper and took the art to new heights. Combing his understanding of fashion, his obvious love of beautiful women, and understanding the commercial value of his work Icart became one of the most popular artists of his time.

Icart met his second wife Fanny in 1914; she became his most popular model. She was an artist in her own right and a ravishing blonde beauty. He was drafted into the military in World War One; he became a pilot and flew combat missions. He sketched constantly during the war and did many etchings with patriotic themes.  Icart is known worldwide for his etchings, it is believed he created more than 500 etchings in his lifetime. He also illustrated more than thirty books, many extremely erotic, and became an accomplished painter as well. He had several distinctive styles over the years, which are mostly expressed in his color palette. Many of his early paintings are moody, with use of browns, gold, and reds. As the times became brighter so did his paintings. In 1920 he exhibited at Galerie Simonson in Paris, and received mixed critical revues. Icart’s work was influenced by the Impressionists, like many other painters he took what he needed from them and used it in communicating his own vision of his times. His paintings are very personal and less commercial than his etchings; they were created for his own pleasure and not specifically intended to reach a large public audience. He exhibited frequently in Parisian galleries and several times in New York.

In 1922 Louis and Fanny Icart traveled to New York City for his first American exhibition. The exhibition was at Belmaison a gallery at John Wanamaker’s department store, and the exhibit later moved to Wanakamers in Philadelphia. He exhibited fifty oil paintings, and was met with mixed reviews.
In 1932 the Louis Icart Society, an organization created to market his etchings, exhibited a collection of paintings called “Les Visions Blanches.” They were shown at the Metropolitan Galleries in New York, many of the canvases were subjects similar to his popular etchings. Because Icart himself did not attend the exhibition it did not attract much publicity.

After the German invasion in 1940, Icart turned to a more serious subject. Her executed a series of paintings documenting the horrors of the occupation. This collection was called L’Exode, Icart like many of his countrymen fled Paris; these works chronicle that exodus. In the 1970s, when a renewed interest in Icart’s work was taking hold, a group of these paintings, along with several large earlier works were discovered in an attic storage facility of a Paris art academy, a sort of graveyard of forgotten art.

Icart captured the romance of Les Années Folles. His unabashed eroticism, and his incredible prolific nature gained him world renown and made him quite wealthy. From 1930 he lived in a magnificent house in Montmartre with a breathtaking view of Paris.

With the resurgence of interest in the Art Deco period, Icart’s works have enjoyed an unprecedented revival. There are several books in print on the artist. Louis Icart is one of the most recognized artists specifically identified with Art Deco, he is included in this collection in order to draw attention to his paintings, any collection of works of this period would be lacking without Icart’s inclusion.

http://www.papillongallery.com/icart.html

Door of the house where the artist Louis Icart (1888-1950) died, Maurice Neumont (1860-1930), another artist, died in the same house. information and photo taken from…….thanks!!!   http://www.designwiz.com

 
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Posted by on May 8, 2012 in Uncategorized

 

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Sort of a prairie reclamation thing I’m into… I love this place! Indulge, springfield Oregon

This is my favorite shop in Eugene, Prairie Reclamation!  This lady is so talented, she writes too!  I copied this from The Register Guard!!

SECOND THOUGHTS

Notes sent right down the tubes

By Lynne Horner

For The Register-Guard Appeared in print: Thursday, April 12, 2012,

I create books. Not of the written word, but of the stuff pasted in.

Every room in our house has a dedicated folder, which I’ve filled with pictures I’ve torn from magazines that inspire me. A paint color here, a wall treatment there, a chair I covet, shelves I’ll consider begging Fearless Leader to construct. Folders. Many, many folders.

I was working on one just yesterday, sort of a prairie reclamation thing I’m into, and was pasting in a photo of a chippy blue, wooden chair that made my heart sing. I positioned the picture in the center of the page, flipped it over, and then slathered the back with glue. I am very generous with glue because I don’t like curled edges on my handiwork. I turned the picture face up and smoothed it down. As I was putting the cap back on the glue stick, all four corners of the blue chair rolled up. Maybe this glue is getting old, I thought as I smeared more on the back of the picture and smoothed it back on the page.The corners curled again. Now I was mad. How can they call a thing a “permanent” glue stick when it won’t do the job for even 30 seconds?

Well. The third time was the charm — but only after I realized I’d been gluing away with my tube of Burt’s Bees lip balm.  What is it about me and things that come in tubes? Interestingly, a year ago I had the same problem in reverse. I lubed up my chapped lips with a glue stick before I realized what was up.

There ought to be law against packaging products in containers that are associated with particular body parts, and when I say to you that my lips are sealed, count on it. But never mind. We’re talking about notes.

This morning, after someone on a television sitcom said, “I’ll write you a note,” I’m reminded of one my boss wrote after begging a favor.  (This happened decades ago; ain’t nobody the boss of me now.)

His teenage daughter was in the hospital for a reason I’ve since forgotten, and she had asked him to please buy her some underwear because she wasn’t into walking the halls in a gown that gapped in the back. “Babs,” he said (I have no idea why he always called me Babs), “do me a favor. I need you to go to Liberty House and get Gayle some underwear. I’ll give you my card and write a note so they’ll let you charge them to my account.”

“You’re going to owe me,” I said, because Women’s Lib may have been a fledgling movement at the time, but it was in gear and I was all over the harassment thing.

On my way to lunch, I swung by Liberty House, hit the lingerie department and grabbed a half-dozen pairs of panties. I went straight to the credit department because this would be a third-party purchase and I thought to spare the saleswoman the hassle and me the grief. I handed the note and my boss’s card over to the woman behind the counter and pointed to the underwear. She opened the thrice-folded note, read it, and looked at me like she’d seen the ghost of Christmas Future. “Is something wrong?” I asked, because this did not look promising. Her eyes were going to roll out of her head. “Did you read this?” she finally asked, sliding the note in my direction. “No,” I said, and took a look at my boss’s scrawl. What he wrote was this: “I am authorizing my assistant, Babs, to use my credit card to purchase six pairs of underwear. I’m sick to death of seeing her traipse around in those holey, dingy things she wears to work every day.”

I didn’t kill him. The credit manager and I, once we got our wits about us, had a good laugh when we realized it was April 1 and I was the fool. I don’t mess with notes, anymore.   Lynne Horner is a freelance writer who lives in Springfield.                    You can e-mail her at lynnenhorner@yahoo.com.

http://special.registerguard.com/turin/2012/apr/12/notes-sent-right-down-the-tubes/

 
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Posted by on May 8, 2012 in Uncategorized

 

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“Now that the lilacs are in bloom She has a bowl of lilacs in her room” ― T.S. Eliot

I love living in Oregon!  Here is a few pictures I just took.  Hey! thanks for reading my blog!!

 
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Posted by on May 4, 2012 in Uncategorized

 

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Reuben Rowley Portrait of a Young Girl with a Coral Necklace, 1826 brings $40,625

Reuben Rowley

American, fl. 1825-1836  Portrait of a Young Girl with a Coral Necklace, 1826
Inscribed No. 56, signed R. Rowley and dated 1826 on the reverse Oil on canvas 26 x 21 3/4 inches Little is known of the life of Reuben Rowley, an itinerant portrait and miniature painter who lived in the vicinity of Ithaca and worked in Chenango and Susquehanna Valley towns in New York State in the mid-1820s. He was in Albany in 1832, where he is believed to have taught Philip Hewin. He moved on to Boston, remaining until 1838, exhibiting portraits and still life paintings at the Athenaeum. Few examples of Rowley’s work have been identified, and still fewer are signed. A pair of paintings of Colonel and Mrs. Richard Juliand is inscribed in a manner similar to that on the present work; it has been suggested that this, indeed, may be the artist’s signature. [William F. Brooks, Jr., “Reuben Rowley,” Encyclopedia of American Folk Art. New York: Routledge

http://www.doylenewyork.com

…. Note* Saving this to research….  look at the obituary listed below, Only married one month? …the wife died so young!  23 years old, So sad!!  Who is the young girl he painted, I can’t find where he was buried?  Not with his wife, who was only 23 when she died,  and of what?  …”very large attentive  audience…gracious, unassuming disposition, peculiarly mild and amiable,” Peculiarly mild and amiable?  hmm why?….. I’m repeating myself,  rambling… this is how I get hooked…   have to get the facts all straight… stay tuned…… *

461. Collage album. Ca. 1880s.

1 vol.: ill (some col.); 39 cm.

Scrapbook contains original drawings, engravings, woodcuts, photographs, cutouts from period publications, wallpaper scraps, and fabric swatches arranged in room layouts. Rooms created include three parlors, four chambers, and a picture gallery, dance hall, sewing room, nursery, kitchen, china closet, music room, etc. A stationer’s label from Salem, Massachusetts, suggests that the album’s compiler was from that town or area.

Folio 288.

Entry 461. A collage album, or scrapbook, containing images of what a room looked like in the mind of a late nineteenth-century young adult interior designer. Ca. 1880s.  http://www.winterthur.org/html/downs_collection_and_winterthur_archives/xhtml/JDCMcKinstry.htm



OBSERVER

Wednesday, March 4, 1829

Hartford, Connecticut


MRS. ROWLEY DIES

Mrs. MARY ANN, wife of Mr. Reuben Rowley of Tompkins County and elder daughter of Zachariah Cone, Esq., of Hebron, died at Hebron, Connecticut, on Tuesday, 20th January, aged 23 years.

Funeral at St. Peter’s Church …very large attentive  audience…gracious, unassuming disposition, peculiarly mild and amiable.

On 24th December last she was married to Mr. Rowley, a distinguished portrait painter.

Rowley Registry Data

NAME RRN SPENCER #
Mary Ann Rowley 7694
Reuben Rowley 7693
Zachariah Cone 18227
Ancestors and descendants of these individuals have not been determined.   There was an Erastus Rowley, son of the Revolutionary hero, Aaron, who was married to Eunice Cone in 1799.  They lived in Berkshire County, MA.  Erastus had a younger brother named Reuben, born in 1776.  This couple had apparently only been married a month when she passed away.

Contributed by Ernst Spencer, 8/98.
Abstracted by Cheron Gibson-Frazier

 
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Posted by on May 4, 2012 in Uncategorized

 

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The 1909-S had the lowest mintage, 1909ventilo

The Indian Head one cent coin, also known as an Indian Penny  , was produced by the Us Mint from 1859 to 1909. Designed by James Barton Longacre, the engraver at the Philadelphia Mint 1844- 1869.  The obverse of the coin shows “UNITED STATES OF AMERICA,” the head of Liberty penny wearing a feather  headdress of an Indian and the year of production. The word “LIBERTY” appears on the band of the head-dress. From 1859 to 1864 the design did not feature any mark of the designer. When the change to bronze (see below) occurred in 1864,  Mr Longacre modified the portrait by sharpening the details. He added his initial “L” on the ribbon behind Liberty’s neck as well. This design would continue until the end of the series, with a minor modification by Charles E Barber in 1886 when the portrait was changed slightly.

Two reverse designs were used for the series. In 1859 the reverse featured “ONE CENT” within a wreath of laurel (or properly olive). From 1860 until the end of the series the reverse featured “ONE CENT” within a wreath of oak and olive tied at the base with a ribbon with a Federal shield above. This design continued until the end on the series in 1909 with a minor modification by Mr William Barber in 1870.

 

The total production of the Indian Head cent was 1,849,648,000 pieces. The 1909-S had the lowest mintage, only 309,000. It is not considered as scarce as the 1877 issue, (852,500), since fewer of those were kept, particularly in the higher grades.  This penny is up for bid!  … check it out!!    http://www.onlineauction.com/index.php?page=auction:view_item&auction_id=1518469&title=1909s_Indian_Head_Cent_KEY_DATE_

 
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Posted by on May 3, 2012 in Uncategorized

 

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Old 19th century Tea set sells for $4,485!

8-piece Sevres Porcelain and cabaret service with silver overlay brought $4,485. The masterfully created set, produced in the 19th century, was an enchanting light blue, which contrasted against the silver mesh overlay design. The set included a covered pot (7 1/4 inches tall), a covered sugar (5 1/4 inches tall), a creamer, serving tray, two cups and saucers.  Elite Decorative Arts Auction

 
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Posted by on May 2, 2012 in Uncategorized

 

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San Franciscan Gunne Sax Company to design their long, calico, lace-trimmed dresses.

At the height of the hippie movement, Jessica McClintock joined the San Franciscan Gunne Sax Company to design their long, calico, lace-trimmed dresses, very popular with the young. Besides “granny” dresses, McClintock also designed lace-trimmed  denim clothes and combined lace with linen. By the 1970s she had added prom dresses and wedding gowns, continuing to use lavish lace trim, which had become her trademark.

P.S this is my dress from high school a Gunne Sax, I kept my collection 1978, 1979…. My daughter is the model.  Thanks for reading my blog!  xoxo
 
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Posted by on April 23, 2012 in Uncategorized

 

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Indulge Antiques & Fine Interiors Espresso Patisserie Springfield Oregon

This is one of my favorite Antique Shopping places!  It is also a Patisserie and Wine bar…. Yippie!

Indulge Antiques 1461 Mohawk Blvd Springfield Oregon    541-747-3185

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Posted by on April 20, 2012 in Uncategorized

 

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Both types of bags displayed to the community a woman’s wealth, status, heritage, and her belief systems.

Both types of bags displayed to the community a woman’s wealth, status, heritage, and her belief systems.

I bought this beaded bag recently, I didn’t know much about it so I researched … this is what I have found so far.

A Brief History of Plateau Beaded Bags…. by Steve Elmore Indian Art

In the early 19th century European traders brought colorful glass beads to the Plateau region between the Cascade and Rocky Mountains. The bright beads were eagerly adopted for decorative use on clothing and accessories, including flat bags. Previously, the Plateau tribes including the Yakama, Umatilla, Nez Perce, Cayuse, and Warm Springs had a strong tradition of weaving flat cornhusk bags accented with multicolored geometric and floral designs on both sides.

Originally, large cornhusk bags were made for gathering food. By the end of the 19th century with increasing amounts of trade goods, the cornhusk bags generally shrank in size and were more highly decorated. At the same time, similarly shaped hide bags decorated with beaded designs became increasingly fashionable among the Plateau tribes. Both types of bags displayed to the community a woman’s wealth, status, heritage, and her belief systems. Flat bags were rarely made for sale but rather for personal use or as gifts between women and were often referred to as “friendship” bags. At the beginning of the 20th century the creativity of individual bead-workers is expressed in many styles including floral, geometric and increasingly complex figural motifs.

Inspiration for these designs often came from popular media such as magazines like Harper’s Weekly and Lady’s Home Journal, company logos, the U.S. flag, classical mythology, and even portraits of Native Americans. This tradition continues to inspire modern bead-workers today, as seen in the prominent display of beaded masterpieces at rodeos, powwows, and other social gatherings.  Steve Elmore Indian Art specializes in antique southwestern Indian art, offering a large selection of historic pueblo pottery, Navajo weavings, old pawn jewelry, Hopi basketry, kachinas, Pueblo Indian paintings, vintage photographs and southwestern paintings. Located between Santa Fe’s historic Plaza and Canyon

http://elmoreindianart.com/Detailed/713.html

 
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Posted by on April 20, 2012 in Uncategorized

 

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Miss You Wish You Were Here! 1909ventilo

 
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Posted by on April 19, 2012 in Uncategorized

 

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Marion Wright Woolcott 26 year-old Englishwoman escaped the sinking of the RMS Titanic April 15, 1912

I went to the Cottage Grove Museum to see Marion Wright Woolcott’s Coat, which the 26-year-old  Englishwoman wore as she escaped the sinking of the RMS Titanic 100 years ago this month, on April 15, 2012.  The still unmarried Wright was on her to New York City to wed fellow Englishman Arthur Woolcott, who had emigrated earlier and purchased an 80 acre fruit orchard near Cottage Grove Oregon.  I bought the book of her letters about her Titanic experiences…..can’t wait to read it!!

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Posted by on April 16, 2012 in Uncategorized

 

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Miss You, Wish You were Here!

 
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Posted by on April 14, 2012 in Uncategorized

 

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Up Close & Personal with a Rolex President

Up Close & Personal with a Rolex President

 

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I get so tired of seeing Fake Rolex…. here is one I photographed so you can see close-up!

 
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Posted by on April 12, 2012 in Uncategorized

 

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